Tuesday, May 29, 2012

Final Piece (Rough Draft)

Workshoppers,
Due to logistical and communication failures on Sunday, I was not able to do my venue profile.
Today I began piecing this together. It is a bit short because I will be interviewing the Record Shop's owner this weekend and then placing bits of the interview throughout my piece.
Keeping this in mind, please let me know how the interior descriptions of the store are functioning.
Since I have not yet interviewed Joe, what questions about the store would you like to see answered (focusing perhaps mainly on the importance of record stores in today's digital society)?
 Thanks.



Rough Draft
Cam Stewart
                        The Need to Be Heard: Independent Record Stores’ Vital Place in Society
In a time when music consumption occurs mainly online, the idea of a record store seems obsolete. Music purchasing has become an activity based mainly on the MP3 format, a digital product that has given both compact discs and vinyl albums a true test of their value in modern society. But for some, the idea of clicking a button to hear a song is void of intimacy and lacks any interaction with the music. For those feeling this way, the value of vinyl is infinite. Over the past decade vinyl has made a significant resurgence, due mainly to the sales occurring at local record stores.
            Fortunately for both vinyl enthusiasts and vinyl sales, the Corner Record Shop exists. Located on West Main Road in Kalamazoo, the Corner Record Shop is an independent retailer focusing mainly on vinyl releases from both past and present artists. The interior of the space is vibrant. The walls are painted orange and music from the store’s record player blasts throughout the air. While not the largest record store in the country, the Corner Record Shop’s selection is diverse, spanning dozens of generations of music: it feels like the record collection of an eclectic group of music-savvy individuals.
            The walls of the store are speckled with albums by artists including the White Stripes, Can, Neil Young and Gram Parsons. Just looking at the records hung on the walls reminds one of how wonderful it is to see album art in its fullest size- a grateful departure from the dwarflike dimensions of MP3 artwork. To hold the album is to feel its gloss and to see the slanted reflection of the store’s lights off the plastic casing, an image one simply does not get when looking at album art on a computer screen.
            But perhaps those who visit record stores already know the benefits of purchasing LP’s. Those who need to truly be allowed into the world of vinyl are those illegally downloading MP3 albums online for free-they are the people greatly affecting the future of the music industry.
            In the past decade, spawned mainly by the downloading site Napster, music sales in the United States have dropped 47 percent. A staggeringly low amount of people are frequenting record stores like Corner Record Shop, instead choosing to illegally pirate their music in large quantities.
            Only 37 percent of music acquired by United States consumers was paid for in 2009. One can only guess how small a percentage of this was bought at local record stores.
            It is clear that the American music industry is in a state of flux. But where does this leave the hundreds of independent retailers still trying to nurture honest music consumption?
            These stores are now catering to a small niche of customers devoted to buying physical albums, a small but passionate clientele that keeps these stores afloat. For these people, watching the music industry transform entirely into a digital atmosphere is ghastly.
            Perhaps the greatest contributor to vinyl’s resurgence is the independent music scene. Nearly all of the big indie labels, including both Matador and Sub Pop, release their artists’ albums on the vinyl format. Albums from both these labels are scattered throughout the shelves and walls of Corner Record Shop. Releases from Beach House and Yo La Tengo are quick to go home with many of the people who enter the store.
            To celebrate this flourishing bond between labels and stores there exists the glorious Record Store Day. Created in 2007 by a group of individuals hoping to promote independent record stores, Record Store Day features a wide variety of special, limited releases from an expansive list of artists. The event’s goal is to reconnect the consumer with the music he or she listens to. Because none of the releases can be downloaded, the listener is encouraged into visiting their local record store and engaging with the community.
            The Corner Record Shop stocked many of the limited-edition releases featured on Record Store Day and enjoyed a large flow of customers throughout the day, many accompanied with albums tucked between their arms.
            The store is part of a vital community of small-scale record shops that are preserving the pleasures of buying vinyl.

4 comments:

  1. Cam,

    As always, your writing was beautifully presented in your article. Your descriptions and details greatly influenced my feelings toward vinyl as I read (As one who tends to find her music via itunes!).

    You include a lot of information in your article, however rough your draft may be. Maybe it’s coming off of writing a technical paper which included sources almost per sentence, but I wonder if the information concerning music trends in the US needs to be cited somehow in your article.

    I think the interview with the owner of the Record Shop will be an important way to validate the feelings you show throughout the piece. Maybe once the interview takes place, you will be able to take yourself out of the story. You might also consider doing so with an interview of a shopper or frequent visitor of the shop. I suggest this because writing yourself into such a piece, which is pushing the importance of vinyl music and disgust for music found online, might make a reader who loves finding music online a little turned off. In order to have any influence or impact in such a push, I believe that the telling should come from an outsider’s perspective.

    Great work thus far Cam, excited to see the final draft!

    Steph

    ReplyDelete
  2. I'd like to see you focus on the now more in this piece. Changes in the music industry because of technology dates back to the '90s at this point, so what's happening now and what does this little record shop have to do with it. You really need some interviews--with the owner, yes, and with people who shop there, too. Also, be careful that you're not just using this piece to "objectively" put forth your opinion about vinyl. Be open and curious so that you can honestly deliver what's going on.

    ReplyDelete
  3. You set the scene very well. I want to hear the store owners voice and maybe some vinyl enthusiasts'. Your writing is beautiful, I just want to hear other voices in your work.

    ReplyDelete
  4. I would love to hear some voices of people who go to this store to buy vinyl - "But perhaps those who visit record stores already know the benefits of purchasing LP’s." Is that true? What are the benefits (for those who actually buy them)?

    Your description of the store is great. I'd like to see some descriptions of the people as well.

    ReplyDelete