Floating
People
Cam
Stewart
There is a line of cars
waiting to leave the island. It grows with each halting Saab and Cadillac. To
leave Grosse Ile, an island in the Detroit River, one can choose from two
bridges: the Toll Bridge or the Free Bridge.
Today I was without
tokens and chose the Free Bridge- an obvious mistake. The bridge is now
sluggishly opening to make way for an approaching barge or recreational yacht.
When a bridge opens, a large red light glows over the entrance. This means
there is no escape. Unless you are in the very rear of the line, you are forced
to wait while your day is put on hold for an oversized boat. Such an absurd
inconvenience is the humor of living on an island.
Grosse Ile is tucked
between Canada and a town called Trenton. Roughly 10,000 people reside on the
island, most of whom frequent one of the many golf and yacht clubs.
Behind me the line of
cars is now spanning the length of Grosse Ile Parkway. The Dirtbombs’ raucous
guitars blast from my speaker for a moment before fading out. During the
fade-out, I hear the siren of an ambulance. First a light whistle, the sound
builds into a piercing cry as it joins the line of cars. I wonder whether or
not the driver will commit to waiting with the rest of us, leaving its desperate
passenger to the mercy of an open bridge. Or will it turn around; pull a sharp
U and head for the Pay Bridge?
The image of an injured
person pawing at the walls of the motionless ambulance makes me feel a strange
anger. It is not so much directed at the bridge, but at the helpless situation.
I think of how many times
I have crossed this bridge without even acknowledging it. So frequently have I
driven over the water, seen the shimmering river below me and thought nothing
of it.
Life on an island involves
constant leaving and returning. Because we are surrounded by water, we are not
a physical part of the continental United States. However subtle this
disconnect may seem, it is at play in the conscience of every island resident.
When we are leaving home we are returning to the mainland, when we are leaving
the mainland we are returning home.
And because of our
physical disconnect, we establish for ourselves our own identity- one of tennis
courts and swimming pools, one of kayaks and Sperry’s. While I used to think of
these things as unique, I see now they are characteristic of infinite other
suburbs. Over the years I have been digging deeper to find a defining feature
of my hometown- I have found it in the way Grosse Ile blends the American dream
with wild plant and animal life.
There are no white picket
fences to mark property lines. We have trees instead. Pine and maple trees
dwarf many of the houses; their bodies are nature’s demarcation. The lush
vegetation on our island also helps diminish the 1950’s nuclear-family-image
you might expect. That, and the coyotes.
Coyotes roam the island,
often favoring the open terrain of golf courses, feeding on the infinite
population of deer and rabbits. Twice I have seen them, crossing the street
like pedestrians, carrying themselves to another forest.
On summer nights it is not unusual to
hear the hum of a jet ski echoing from the river, the buzzing of cicadas
singing their August hymn and the howls from a pack of coyotes. It is a
strange, sonorous harmony found only on Grosse Ile.
But our floating town is
not a famous place. We residents of Grosse Ile locate ourselves to the
unfamiliar by holding up our right hand and pointing to a vague space below our
thumb. We are the small tear of land in the Detroit River. When we cannot hold
up a hand to locate our town, we describe it in rough proximity to Detroit. To
someone out of state, Grosse Ile becomes “About 25 minutes south of Detroit.”
We dwell on a place we
feel is unique and charming, but are forever finding it to be non-existent to
the rest of the world. Once a troublesome thing, I now find the mystery of
Grosse Ile to be of great intrigue.
That few people have seen
the sunrise over Canada from our shores gives me a sense of pride. I scan up
and down the line of cars and am thankful to live in a place that is both
distant and similar to the rest of the state.
Somewhere in the back I
notice the ambulance is still flashing its lights. People are now exiting their
cars to see what the prolonged delay is all about. I see two men from separate
cars shake hands, smile and then point to the bridge, acknowledging their
familiarity with both each other and the situation. They gesture and talk like
two people in on the same joke.
Just as the men get back
inside their respective vehicles, I see the ambulance cut and maneuver into the
opposite lane. As it completes its 180-degree turn, it restarts its siren and
drives hastily away from our line. In a quick dissolve it makes its way for the
Toll Bridge, leaving our town of mysterious beauty.
I love how you take one moment, focus in, and then expand to show a part of your self and your identity. It's such a beautiful thing to do in writing and you've done it well here.
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