Floating People
Cam Stewart
There is a line
of cars waiting to leave the island. It grows with every halting Saab or
Cadillac. To leave Grosse Ile, an island in the Detroit River, one can choose
from two bridges: the Toll Bridge or the Free Bridge.
Today I was
without tokens and chose the Free Bridge- an obvious mistake. The bridge is now
sluggishly opening to make way for an approaching barge or recreational yacht.
When a bridge opens, a large red light glows over the entrance. This means
there is no escape. Unless you are in the very rear of the line, you are forced
to wait while your day is put on hold for an over-sized boat. Such an absurd
inconvenience is the humor of living on an island.
Grosse Ile is
tucked between Canada and a town called Trenton. But we are not Canadian (and we certainly are not from Trenton!). Roughly 10,000 people reside
on the island and many of these people frequent one of the various golf and yacht clubs.
Behind me the
line of cars is now spanning the length of Grosse Ile Parkway. The Dirtbombs’
raucous guitars blast from my speaker for a moment before fading out. During
the fade-out, I hear the siren of an ambulance. First a light whistle, the
sound builds into a piercing cry as it joins the line of cars. I wonder whether
or not the driver will commit to waiting with the rest of us, leaving its
desperate passenger to the mercy of an open bridge. Or will it turn around;
pull a sharp U and head for the Pay Bridge?
The image of an
injured person pawing at the walls of the motionless ambulance makes me feel a strange
anger. It is not so much directed at the bridge, but at the helpless situation.
I think of how
many times I have crossed this bridge without even acknowledging it. So
frequently have I driven over the water, seen the shimmering river below me and
thought nothing of it.
Life on an
island is a series of leaving and returning. Because we are surrounded by
water, we are not a physical part of the continental United States. However
subtle this disconnect may seem, it is at play in the conscience of every
island resident. When we are leaving home we are returning to the mainland,
when we are leaving the mainland we are returning home.
And because of
our physical disconnect, we establish for ourselves our own identity- one of tennis
courts and swimming pools, one of kayaks and Sperry’s. Parents drive along the
river to drop their children off at Middle School, watching the sunrise over
the water. Our homes are a makeshift combination of the American Dream and wild
plant and animal life.
There are no
white picket fences to mark property lines. We have trees instead. Pine and
maple trees dwarf many of the houses; their bodies are nature’s demarcation. The
lush vegetation on our island also helps diminish the 1950’s nuclear-family-image
you might expect. That, and the coyotes.
Coyotes roam
the island, often favoring the open terrain of golf courses, feeding on the
infinite population of deer and rabbits. On summer nights it is not unusual to
hear the hum of a Jet Ski echoing from the river, the buzzing of cicadas
singing their August hymn and the howls from a pack of coyotes. It is a
strange, sonorous harmony found only on Grosse Ile.
Like a giant
exhalation from Canada, the wind blows waves that scrape at our shores. When
winter comes and the waves subside, the river freezes; the white space like a
natural bridge to a foreign country.
However bizarre
this place might seem, however famous you may guess it to be: it is not. We residents of Grosse Ile locate ourselves to
the unfamiliar by holding up our right hand and pointing to a vague space below
our thumb. We are the small tear of land floating calmly in the Detroit River.
When we cannot hold up a hand to locate our town, we describe it in rough
proximity to Detroit. To someone out of state, Grosse Ile becomes “About 25
minutes south of Detroit.”
We dwell in a
place we feel is unique and charming, but are forever finding it to be
non-existent to the rest of the world. This residential contradiction can
certainly make one feel as insignificant as someone living in a normal suburb!
Perhaps this is
the source of our “GI Pride.” Perhaps we are slowly trying to come to terms with what
the rest of the state already knows: that although we are floating we are no
different from the rest of Michigan.
Somewhere in
the back I notice the ambulance is still flashing its lights. People are now
exiting their cars to observe the bridge clasp itself shut. I see two men from
separate cars shake hands, smile and then point to the bridge, acknowledging their
familiarity with both each other and the situation. This does not surprise me.
Just as the men
get back inside their respective vehicles, I see the ambulance cut and maneuver
into the opposite lane. As it completes its 180-degree turn, it restarts its
siren and drives away from our line. In a quick dissolve the ambulance becomes
distant, just one more vehicle crossing water to get from one part of Michigan
to another.
(For Lives)
Grosse Ile! Love it.
ReplyDeleteFav quote: life on the island is a series of leaving and returning.
It's very true - especially now that we are grown. I sorta want you to expand on that. What is on Grosse Ile to return to? What is found off the island?
I'm not sure if I can tell from this writing if you like GI or if you hate it. Maybe it's because I'm from the island too, but it makes me uncomfortable. Do you like the wildlife and sperry's? Are you being nostalgic? I'm sure it's not an either or answer, but there is a tension there (that I'm sensitive too) and is not addressed.
What is the significance of the ambulance? Is it something that makes you stop and be reflective. Maybe talk about that?
Also I love the sounds of Grosse Ile. I want more. The train across the river representative of the distant industrial county we live in... go there?
mucho amor,
Ellen
I love your frankness at times ("Such an absurd inconvenience is the humor of living on an island") and your beautifully thought-out descriptions of Grosse Ile. I could see the picture you painted of it.
ReplyDeleteI feel as if your third paragraph (Grosse Ile is tucked between Canada) interrupts your narrative of the bridge and the ambulance. Maybe you felt like you needed to give the reader that orientation early in the piece, but I think it would fit well as a start to your description of the island (since in the first paragraph we already know where you are). There's an element of suspense in the ambulance narrative that shouldn't be interrupted (except when you return to it in the end--that was great).
Your piece was fluid and unique. I hear your love for this island, which seems important to you judging from your process writing. Awesome job!
Cam,
ReplyDeleteI definitely agree with Emily’s point that your writing is very fluid. I really liked the glimpse of what life is like on the island that you live on. I also liked where you made the point of distinguishing Grosse Ile from being part of Canada, while also providing for the reader the feeling of your island not really being part of the United States either. You provided a great image of what living on Grosse Ile was like for you. I love that you start the piece with a description of leaving Grosse Ile while depicting imagery of bridges, tolls and the constant act of island residents coming and leaving their homes. The bridge scene is important because its clear that going to the mainland is very much a part of Grosse Ile culture, is pervasive to your life experiences living there and important to the common identity/consciousness of the residents whose lives are fashioned by being isolated from the rest of the country, while simultaneously being only a ride over the bridge to the mainland.
I was a little confused about the accident and why you felt it was a hopeless situation. Could you possibly give the reader more some more details about what exactly happened to the injured person in relation to the accident making you reflect on your live on Grosse Ile?
This was so refreshing to read,
Tanj
Cam,
ReplyDeleteYou definitely have a mastery of words. This piece was easy to read, not because it used simple language, but because it was concise and every word had a purpose (something I know I have a lot of difficulty doing). Great for the type of piece that we are writing!
I really like the concept of leaving and returning. It is a really unique situation to live on an island. I never really thought of it in the way that you described, "When we are leaving home we are returning to the mainland, when we are leaving the mainland we are returning home."
I think that the story of the ambulance is very interesting, but I would like to see in incorporated more into the story. I don't know much about Grosse Ile, does it have a hospital of it's own? Do you need to leave the island for all medical situations or just critical ones? Also how does the theme of leaving and returning fit into this story? Also I'm not familiar with Trenton, why are you so different? I would be interested to see how class changes once you get off the island. You allude to a wealthiness of the citizens of Grosse Ile, does this also make you an island economically?
Really well written piece!
Cam,
ReplyDeleteYou most certainly have a way with words! Your descriptions are very vivid and beautifully written.
I feel that you may have a few themes flowing throughout your piece. You discuss being part of a tight-knit community while at the same time not belonging at all. (Grosse Ile is tucked between Canada and a town called Trenton. But we are not Canadian (and we certainly are not from Trenton!). You follow this lesson in geography with the sentence, “Roughly 10,000 people reside on the island and many of these people frequent one of the various golf and yacht clubs.” Is it important to your central theme to talk about the wealth of Grosse Ile?
Honing in on what you want your theme to be and making it shine through more clearly will make this a fantastic piece Cam! It was very fun and effortless to read.
Steph
Despite living in the Detroit area for quite a while, I hadn't heard of Grosse Ile until last year. Your descriptions of the island gave me a great picture of the types of homes and wildlife that exist there. I like that you distinguish yourself and other islanders from Canadians and from people from Trenton, showing an uniqueness to your lives. I got a bit confused when you mentioned Trenton though, because I'm not familiar with it. I assume it's in Michigan, but maybe clarify that. I also agree with what Jordan said--why do you feel so different from a Trenton resident? You later say you are no different from the rest of Michigan, but at this beginning point you seem adamant that you aren't like the rest of Michigan at all.
ReplyDeleteI would also like to see expansion on the ambulance story. Why does watching it wait make you so upset? I get the sense that it makes you realize the disconnect that comes from leaving and returning almost daily, but I think you could explore that more specifically. Which is stronger for you personally: the desire to leave when you're there or the desire to return when you're gone? Maybe they're equal or in conflict--give us more of a sense of that tension.
Overall it's an excellently immersive piece! I felt like I was physically there on the island as I read.
Hi Cam!
ReplyDeleteStylistically this piece is impeccable. The descriptions, metaphors, and internal monologue shows a tight adjective use. I like the idea of writing about Detroit suburb island life and I think it fits the LIVES prompt well. I wonder if this particular experience embodies island life the best. Is there another time that caused you more tension personally that was caused by living on an island. Is there a good coyote story. I believe you can keep a lot of these beautiful descriptions in a slightly different frame work that could evoke more action. I feel like your hinting at the humor of living in this place. Can you flesh that out?
Thanks for the compelling and grammatically clean draft,
Em